English to Persian (Farsi) Other Cinema, Film, TV, Drama

Third, and connected to this, Paul, here, stops being the primary coordinate in the ethicisation of looking on. What I mean by this is that the individual’s relationship to the suffering of others, which I’m discerning as a primary conceit of Hotel Rwanda, shifts in these scenes to be made explicitly not just about him, or even about the West, but about the Western spectator him or herself.